Jaeden Martell

Editors' Choice·Film and Television

Our Hero, Balthazar (review) – an unsettling and urgent exploration of masculinity, class divide and extremism in our social media age

by Neil Baker

6th May 2026

Editors' Choice·Film and Television·Rewind

The Lodge (2019) rewind review – a profoundly icy blast of psychological horror

by Neil Baker

12th January 2026

Film and Television·Rewind

IT – Chapter One (2017) and Chapter Two (2019) – the childhood fears we would rather bury

by Neil Baker

24th September 2022

Editors' Choice·Film and Television·LGBTQ+

The True Adventures of Wolfboy (review) – a unique, beautiful and engaging modern fairytale

by Neil Baker

10th March 2021

Editors' Choice·Film and Television

Defending Jacob (Apple TV+) review – a complex journey into belief, doubt, secrets and lies

by Neil Baker

24th April 2020

Film and Arts Festivals·Film and Television

Knives Out (BFI London Film Festival) review – a glorious modern whodunit full of humour, wit, energy and charm

by Neil Baker

11th October 2019

The Lodge (2019) rewind review – a profoundly icy blast of psychological horror

IT – Chapter One (2017) and Chapter Two (2019) – the childhood fears we would rather bury

The True Adventures of Wolfboy (review) – a unique, beautiful and engaging modern fairytale

Knives Out (BFI London Film Festival) review – a glorious modern whodunit full of humour, wit, energy and charm

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential

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