Jacob Elordi

Film and Television

Wuthering Heights (review) – Fennell captures the book’s emotional scale, but the lack of subtlety is a double-edged sword

by Calum Cooper

10th February 2026

Film and Television

BAFTA announces the nominations for the EE BAFTA Film Awards 2026

by Neil Baker

27th January 2026

Film and Television·Music and Dance

What to Watch on Netflix this Christmas

by Neil Baker

27th November 2025

Editors' Choice·Film and Television

The Narrow Road to the Deep North – Jacob Elordi, Justin Kurzel and Ciarán Hinds discuss the screen adaptation of Richard Flanagan’s novel

by Neil Baker

18th July 2025

Film and Television·LGBTQ+

On Swift Horses (review) – the shackles of ’50s America shatter as a domestic dream built on quicksand sinks

by Neil Baker

20th June 2025

Editors' Choice·Film and Television·LGBTQ+·Music and Dance

Box Set Binge (volume 4) – 15 unmissable TV shows available to binge-watch right now

by Neil Baker

18th March 2025

Film and Television·GALECA Dorian Awards·LGBTQ+

Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members

by Neil Baker

26th February 2024

Editors' Choice·Film and Arts Festivals·Film and Television

Priscilla (review) – can any union survive in the darkness of a fairytale world built on public image and destructive fame?

by Neil Baker

21st December 2023

Film and Arts Festivals·Film and Television

Saltburn (review) – BFI London Film Festival – a wickedly sharp, proudly queer and gloriously decadent film

by Neil Baker

12th October 2023

BAFTA announces the nominations for the EE BAFTA Film Awards 2026

What to Watch on Netflix this Christmas

The Narrow Road to the Deep North – Jacob Elordi, Justin Kurzel and Ciarán Hinds discuss the screen adaptation of Richard Flanagan’s novel

On Swift Horses (review) – the shackles of ’50s America shatter as a domestic dream built on quicksand sinks

Box Set Binge (volume 4) – 15 unmissable TV shows available to binge-watch right now

Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members

Priscilla (review) – can any union survive in the darkness of a fairytale world built on public image and destructive fame?

Saltburn (review) – BFI London Film Festival – a wickedly sharp, proudly queer and gloriously decadent film

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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