Music and Dance·Theatre We Aren’t Kids Anymore – Drew Gasparini on finding himself, chasing dreams and blending musical genres by Neil Baker 1st April 2025
Film and Arts Festivals·Film and Television·LGBTQ+·UK Festivals Four Mothers (BFI Flare) – Darren Thornton and Colin Thornton on care, casting, comedy and community by Neil Baker 25th March 2025
Film and Arts Festivals·Film and Television·LGBTQ+·UK Festivals Sandbag Dam (BFI Flare) – Čejen Černić Čanak on community, progress and the role of film in promoting social change by Neil Baker 19th March 2025
Film and Television·TV and Streaming Beyond Paradise series three – Kris Marshall on vitamin sea and new arrivals by Neil Baker 18th March 2025
Film and Television·TV and Streaming·What to Watch Ten Pound Poms – Writer and Executive Producer Danny Brocklehurst on what’s new in series two by Neil Baker 4th March 2025
Editors' Choice·Film and Television·LGBTQ+·TV and Streaming Dylan Llewellyn and Jon Pointing on the final series of Jack Rooke’s Big Boys by Neil Baker 10th February 2025
Editors' Choice·Film and Television·TV and Streaming·What to Watch The Traitors (series three) – Meet the contestants by Neil Baker 1st January 2025
Editors' Choice·Film and Television·TV and Streaming·What to Watch SAS Rogue Heroes (series two) – Jack O’Connell on returning to the role of Paddy Mayne by Neil Baker 29th December 2024
Editors' Choice·LGBTQ+·Theatre Dead Hard – Bertie Watkins on high heels, iconic villains, immersive experiences and accessibility by Neil Baker 6th December 2024
Film and Television·LGBTQ+·TV and Streaming·What to Watch Smoggie Queens – Elijah Young, Alexandra Mardell and Phil Dunning discuss chosen family and the Teesside Parmo! by Neil Baker 23rd November 2024
1 Critically acclaimed Fringe hit Don’t Tell Dad about Diana brings ’90s Dublin, drag and Princess Diana to Underbelly Soho 20th April 2026
2 Filming begins on The Ink Factory’s production of John Le Carré’s Legacy of Spies for BBC and MGM+ 18th April 2026
3 Harvey (1950) rewind review – Koster’s bittersweet and whimsical film is an undervalued lesson in how to see the world 17th April 2026
4 Stand By Me (1986) rewind review – funny, charming, sage and forlorn, Reiner’s film is one of the greatest coming-of-age pictures of all time 17th April 2026
5 Charlotte Regan on the complicated love, family dynamics, female-led storytelling and the visual language of Mint 16th April 2026
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