Gothic

Film and Television·Film Reviews

Wuthering Heights (review) – Fennell captures the book’s emotional scale, but the lack of subtlety is a double-edged sword

by Calum Cooper

10th February 2026

The Highgate Vampire The Cockpit Theatre Review

Editors' Choice·Theatre·Theatre Reviews

The Highgate Vampire (review) – a delightfully absurd real-life tale brought to life through meta-theatre, gothic horror and sketch comedy

by Neil Baker

29th January 2026

Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals

Frankenstein (BFI London Film Festival) review – Del Toro’s adaptation beats with a human heart that only he could create

by Oscar Aitchison

16th October 2025

Film and Television·Film Reviews

Nosferatu (review) – Egger’s chilling film somewhat cowers in the presence of its predecessor

by Calum Cooper

23rd December 2024

Editors' Choice·Film and Television·Film Reviews

The Vourdalak (review) – a tantalising, twisted and thrilling celebration of traditional gothic horror

by Neil Baker

14th September 2024

Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals

The Last Voyage of the Demeter (FrightFest Review) – Øvredal’s Dracula movie is entertaining but incomplete

by Neil Baker

24th August 2024

Film and Television·Film Reviews

Doctor Jekyll (review) – a homage to Hammer’s past and a wildly entertaining vision of its future

by Neil Baker

13th October 2023

Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews

A Right Royal Collection of 15 films and shows

by Neil Baker

6th May 2023

Film and Television·Film Reviews

What Josiah Saw (review) – an atmospheric and brutal Southern Gothic horror

by Neil Baker

30th July 2022

Film and Television·Film Reviews

The Batman (review) – the world’s greatest detective returns in one of the decade’s best films

by Sabastian Astley

28th February 2022

The Highgate Vampire (review) – a delightfully absurd real-life tale brought to life through meta-theatre, gothic horror and sketch comedy

Frankenstein (BFI London Film Festival) review – Del Toro’s adaptation beats with a human heart that only he could create

Nosferatu (review) – Egger’s chilling film somewhat cowers in the presence of its predecessor

The Vourdalak (review) – a tantalising, twisted and thrilling celebration of traditional gothic horror

The Last Voyage of the Demeter (FrightFest Review) – Øvredal’s Dracula movie is entertaining but incomplete

Doctor Jekyll (review) – a homage to Hammer’s past and a wildly entertaining vision of its future

A Right Royal Collection of 15 films and shows

What Josiah Saw (review) – an atmospheric and brutal Southern Gothic horror

The Batman (review) – the world’s greatest detective returns in one of the decade’s best films

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Disney’s High School Musical extends its upcoming run at the Lowry due to demand

Ella Bruccoleri, Ruth Jones and Richard E. Grant discuss The Other Bennet Sister, coming soon to BBC One and BBC iPlayer

How to Make a Killing (review) – Patton Ford’s movie is too meek to be a dark drama and too self-conscious to lean into full bleak comedy

Joe Alwyn joins Rachel Weisz and Matthew Macfadyen for Tomas Alfredson’s Seance on a Wet Afternoon

The Royal Television Society announces the nominations for the RTS Programme Awards 2026

A new generation takes the stage: Henry Patterson confirms the release date for Broadway Maybe

Rebuilding (Glasgow Film Festival) review – Walker-Silverman’s film says little verbally but achieves so much visually and emotionally

Richard Neuberg shares the single ‘Saltwater’ and announces his debut solo album ‘The Vine’

Hoppers (review) – an earnest and heartfelt Pixar movie boasting a plethora of colourful characters

Sinners takes a mighty bite out of the GALECA Dorian Film Awards 2026, and Pillion asserts its dominance as LGBTQ+ Film of the Year

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