Film and Television The Batman (review) – the world’s greatest detective returns in one of the decade’s best films by Sabastian Astley 28th February 2022
Film and Arts Festivals·Film and Television Spencer (BFI London Film Festival) review – a dizzying journey into anxiety and psychological distress by Sabastian Astley 12th October 2021
Editors' Choice·Film and Television·In Focus Hammer Horror: Seven unmissable movies from the house of horror, from the Prince of Darkness to kitchen-sink terrors by Neil Baker 10th October 2021
Film and Arts Festivals·Film and Television Post Mortem (FrightFest) review – gothic horror is replaced by an increasing need to adopt a mainstream horror finale by Agnes Sajti 29th August 2021
Film and Television The Devil All the Time (Netflix) review – grit, dirt, and sweat jump off the screen in this dark Southern Gothic horror by Neil Baker 17th September 2020
Editors' Choice·Film and Television·In Focus Batman (1989): Burton, Keaton and Nicholson release the Bat from its belfry and change comic-book movies forever by Neil Baker 19th May 2019
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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