Film and Arts Festivals·Film and Television The Found Footage Phenomenon (FrightFest) review – a brilliantly crafted documentary by Sabastian Astley 30th August 2021
Film and Arts Festivals·Film and Television·Film Reviews No Man of God (FrightFest) review – a riveting and complex portrait of a stone-cold killer by Neil Baker 29th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Post Mortem (FrightFest) review – gothic horror is replaced by an increasing need to adopt a mainstream horror finale by Agnes Sajti 29th August 2021
Film and Arts Festivals·Film and Television Slapface (FrightFest) review – a complex and harrowing coming-of-age horror by Neil Baker 29th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Boy #5 (FrightFest) review – Lennon Leckey’s quiet but assured performance is nothing short of stunning by Neil Baker 28th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Followers (FrightFest) review – a creative screentime supernatural horror by Neil Baker 28th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Brain Freeze (FrightFest) review – a midwinter tale of green-sprouting zombies by Neil Baker 27th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Crabs! (FrightFest) review – a love letter to B-Movie monster horror with razor-sharp pincers by Sabastian Astley 27th August 2021
Film and Arts Festivals·Film and Television·Film Reviews Motherly (FrightFest) review – It may not be entirely new, but it is devilishly creative by Neil Baker 26th August 2021
Film and Arts Festivals·Film and TV News Arrow Video FrightFest announces Glasgow Film Festival 2021 virtual line-up by Neil Baker 14th January 2021
1 Life Support (Sheffield DocFest) review – Daniele Rugo’s documentary should be shown on every big screen across our land and beyond 14th June 2026
2 Saved! (2004) rewind review – Dannelly’s movie is razor sharp in its humour, yet tender in its exploration of love, faith and community 14th June 2026
3 Footloose (1984) rewind review – an early ’80s gift that many mistakenly dismiss as a mere musical jukebox movie 13th June 2026
4 Rose’s House (Sheffield DocFest) review – a historical and contemporary celebration of community, resilience, transformation and change 13th June 2026
5 On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience 12th June 2026
6 Rare Birds (Tribeca Festival) review – Weisberg’s short film is about what it means to be human, and the social barriers that divide us 11th June 2026
7 The Remedy (SXSW London) review – Kahuam’s film is chilling, disturbing, and utterly enthralling 10th June 2026
8 The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable 10th June 2026
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