Film and Television·Film Reviews·Rewind·Rewind Reviews Art, horror, fashion, food and bodily gas in Peter Strickland’s wickedly absurd Flux Gourmet and In Fabric by Neil Baker 23rd September 2023
Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Kings & Queens – a coronation-worthy collection of movies and shows by Neil Baker 6th May 2023
Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Love Sucks! and these fifteen movies prove it! by Neil Baker 5th February 2023
Film and Arts Festivals·Film and Television·Film Reviews Triangle of Sadness (BFI London Film Festival) review – a vicious satire that harbours dark observations on society by Emma Duffy 14th October 2022
Film and Arts Festivals·Film and Television·Film Reviews·Short Films FrightFest Bites 2022 – a collection of quick read reviews from this year’s FrightFest London by Neil Baker 18th August 2022
Film and Television·Film Reviews The Feast (Gwledd) review – Lee Haven Jones’ feature debut is one hell of a creepy horror buffet by Neil Baker 18th August 2022
Film and Television·Film Reviews Master Cheng (review) – as warm as a Finnish sauna on a cold day by Agnes Sajti 7th March 2022
Film and Television·Film Reviews A Banquet (review) – a sensory overload of psychological horror by Jasmine Valentine 28th February 2022
Film and Television·Film Reviews The Birthday Cake (review) – Jimmy Giannopoulos’ movie looked promising but failed to rise in the oven by Neil Baker 11th July 2021
Film and Television·Film Reviews·LGBTQ+·Music and Dance·Rewind·Rewind Reviews·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
1 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
2 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
3 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
4 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
5 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
6 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
7 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
8 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
9 The Last First Time (review) – an uncompromising and intoxicating portrait of first sex, infatuation, queer joy and escape 17th July 2026
10 FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival 16th July 2026
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