Film and Television·Rewind Art, horror, fashion, food and bodily gas in Peter Strickland’s wickedly absurd Flux Gourmet and In Fabric by Neil Baker 23rd September 2023
Film and Television·LGBTQ+·Rewind Kings & Queens – a coronation-worthy collection of movies and shows by Neil Baker 6th May 2023
Film and Television·LGBTQ+·Rewind Love Sucks! and these fifteen movies prove it! by Neil Baker 5th February 2023
Film and Arts Festivals·Film and Television Triangle of Sadness (BFI London Film Festival) review – a vicious satire that harbours dark observations on society by Emma Duffy 14th October 2022
Film and Arts Festivals·Film and Television·Short Films FrightFest Bites 2022 – a collection of quick read reviews from this year’s FrightFest London by Neil Baker 18th August 2022
Film and Television The Feast (Gwledd) review – Lee Haven Jones’ feature debut is one hell of a creepy horror buffet by Neil Baker 18th August 2022
Film and Television Master Cheng (review) – as warm as a Finnish sauna on a cold day by Agnes Sajti 7th March 2022
Film and Television A Banquet (review) – a sensory overload of psychological horror by Jasmine Valentine 28th February 2022
Film and Television The Birthday Cake (review) – Jimmy Giannopoulos’ movie looked promising but failed to rise in the oven by Neil Baker 11th July 2021
Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
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