Film and Arts Festivals·Film and Television·LGBTQ+ Rosebush Pruning (Berlinale) review – Aïnouz delights in exploring the writhing bed of maggots behind a facade of wealth and beauty by Neil Baker 19th February 2026
Editors' Choice·Film and Television·Music and Dance A Complete Unknown (review) – engaging, elegant and alluring yet somewhat pedestrian by Calum Cooper 12th January 2025
Film and Television Casting has been announced for Karim Aїnouz’s Rosebush Pruning for MUBI by Neil Baker 28th September 2024
Film and Television A Rainy Day in New York (review) – not even Chalamet, Fanning, and Law can save this film from becoming a soggy, disappointing mess by Neil Baker 6th June 2020
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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