Film and Television·Film Reviews·NQV Short Films·Short Films A Night in the Fields (NQV Media) review – a journey into adolescent masculinity and friendship that is nothing short of exquisite by Neil Baker 20th February 2022
Film and Television·Rewind·Rewind Reviews Moscow Square (Moszkva tér) 2001 – a moment in time never forgotten by the young people who lived through it by Agnes Sajti 18th February 2022
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Booksmart (2019) – never falls victim to the typical coming-of-age clichés but writhes with themes of difference by Sabastian Astley 11th February 2022
Film and Television·Film Reviews·Rewind·Rewind Reviews Matinee (1993) – endings and beginings surrounded by buttered popcorn, movie magic, cheers, and screams by Neil Baker 8th February 2022
Film and Television·Film Reviews·Rewind·Rewind Reviews If…. (1968) – a political and social critique of the British state that remains sadly relevant today by Neil Baker 4th February 2022
Film and Television·Film Reviews·Rewind·Rewind Reviews Sab Astley looks back at The Way Way Back and The Kings of Summer, two films that defined his youth by Sabastian Astley 1st February 2022
Film and Television·Film Reviews·Rewind·Rewind Reviews Heathers (1989) – Lehmann’s movie marked an important transition for the coming of age comedy by Neil Baker 28th January 2022
Film and Arts Festivals·Film and Television·Film Reviews Therapy Dogs (Slamdance) review – an unfiltered exploration of the boundless energy and confusion of adolescence by Neil Baker 26th January 2022
Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Heartstone (2016) – the urgency, confusion and excitement of early sexual exploration by Neil Baker 18th January 2022
Film and Television·Film Reviews·LGBTQ+ Minyan (review) – a bold exploration of sexuality, religion, community and belonging in ’80s New York by Neil Baker 2nd January 2022
1 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
2 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
3 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
4 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
5 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
6 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
7 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
8 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
9 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
10 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
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