Arts·Editors' Choice·Film and Arts Festivals·Film and Television·Music and Dance Broken English (BFI London Film Festival) review – Forsyth and Pollard honour Faithfull’s rebellious spirit and unbridled talent by Neil Baker 23rd October 2025
Editors' Choice·Film and Arts Festivals·Film and Television Wasteman (BFI London Film Festival) review – bold and breathless in its intensity, McMau’s film is a fearless feature debut by Neil Baker 22nd October 2025
Editors' Choice·Film and Arts Festivals·Film and Television Die My Love (BFI London Film Festival) review – Jennifer Lawrence is relentless in her most visceral performance to date by Theo Smith 21st October 2025
Film and Arts Festivals·Film and Television·Short Films The Souffleur (BFI London Film Festival) review – the inner turmoil of a man caught in the headlights of apparent change and progress by Neil Baker 20th October 2025
Film and Arts Festivals·Film and Television·LGBTQ+ Blue Moon (BFI London Film Festival) review – weighed down by the overwhelmingness of its style and the staleness of its substance by Calum Cooper 19th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television The Voice of Hind Rajab (BFI London Film Festival) review – blistering, soul-destroying and righteous in its sorrowful outrage by Calum Cooper 19th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television The Love That Remains (BFI London Film Festival) review – a visually stunning, obscure yet enthralling work of art by Neil Baker 18th October 2025
Film and Arts Festivals·Film and Television·Music and Dance Springsteen: Deliver Me from Nowhere (BFI London Film Festival) review – Cooper keeps us at a distance from the man and the artist by Neil Baker 18th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television No Other Choice (BFI London Film Festival) review – Park Chan-wook’s newest film is dark and bizarre but uniquely engrossing by Calum Cooper 17th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television Frankenstein (BFI London Film Festival) review – Del Toro’s adaptation beats with a human heart that only he could create by Oscar Aitchison 16th October 2025
1 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
2 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
3 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
4 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
5 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
6 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
7 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
8 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
9 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
10 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
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