Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·Stream It or Skip It·TV and Streaming·UK Festivals Sublime (review) – Mariano Biasin’s Argentinian coming-of-age gem is truly sublime by Neil Baker 5th February 2023
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals Swallowed (review) FrightFest 2022 – Smith’s proudly queer horror will have you squirming in your seat by Neil Baker 28th August 2022
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals Ultraviolette and the Blood-Spitters Gang (BFI Flare) review – avant-garde artistry from a distance by Jasmine Valentine 8th April 2022
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·Music and Dance·Theatre·UK Festivals Boulevard! A Hollywood Story (BFI Flare) review – the sunset of a musical dream by Agnes Sajti 2nd April 2022
Film and Arts Festivals·Film and Television·LGBTQ+·UK Festivals The Novice (BFI Flare) review – a sensory gift that keeps on giving but struggles to hold its intrigue by Jasmine Valentine 31st March 2022
Film and Arts Festivals·LGBTQ+·UK Festivals The Swimmer (BFI Flare) review – sun, speedos, secrecy and sex by Neil Baker 27th March 2022
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·Music and Dance·Music and Dance Reviews·UK Festivals No Ordinary Man (2021) and Framing Agnes (2022) – BFI Flare Double Bill by Neil Baker 26th March 2022
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals Bruno Reidal: Confession of a Murderer (BFI Flare) review – a chilling and complex portrait of a young killer by Neil Baker 22nd March 2022
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals Jimmy in Saigon (BFI Flare) review – a loving eulogy to a brother lost in Saigon by Neil Baker 21st March 2022
Film and Arts Festivals·Film and Television·LGBTQ+·UK Festivals Wildhood (BFI Flare) review – freedom, oppression, hope, and love collide on a road to rebirth by Neil Baker 20th March 2022
1 Critically acclaimed Fringe hit Don’t Tell Dad about Diana brings ’90s Dublin, drag and Princess Diana to Underbelly Soho 20th April 2026
2 Filming begins on The Ink Factory’s production of John Le Carré’s Legacy of Spies for BBC and MGM+ 18th April 2026
3 Harvey (1950) rewind review – Koster’s bittersweet and whimsical film is an undervalued lesson in how to see the world 17th April 2026
4 Stand By Me (1986) rewind review – funny, charming, sage and forlorn, Reiner’s film is one of the greatest coming-of-age pictures of all time 17th April 2026
5 Charlotte Regan on the complicated love, family dynamics, female-led storytelling and the visual language of Mint 16th April 2026
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