Film and Television Why Don’t You Just Die! (review) – a fast, furious, vodka-soaked chamber piece by Neil Baker 21st April 2020
Film and Television Onward (review) – brotherly love in a world that’s lost its magic by Neil Baker 7th March 2020
Film and Television Birds of Prey (And The Fantabulous Emancipation Of One Harley Quinn) review – Robbie puts the men of Gotham onto the naughty step by Neil Baker 8th February 2020
Film and Television Angel Has Fallen (review) – a franchise as tired as the performances at its heart by Neil Baker 21st August 2019
Film and Television Spider-Man: Far from Home (review) – a disappointingly formulaic MCU follow-up to Homecoming by Neil Baker 3rd July 2019
Film and Television Alpha (review) – stunning action sequences and moments of quiet reflection sit side by side in Hughes’ masterful movie by Neil Baker 27th August 2018
Editors' Choice·Film and Television·LGBTQ+ Cinerama Capsule 2018 (reviews) by Neil Baker 7th July 2018
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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