Editors' Choice·Film and Television·Music and Dance·TV Take That (Netflix) review – the ups and downs of a journey none of us who loved them will ever forget by Neil Baker 28th January 2026
Editors' Choice·Music and Dance Wolf Alice announce a huge homecoming show in Finsbury Park on July 5 by Neil Baker 26th January 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Peter Sellers Centenary Collection from StudioCanal – the British Lion years announce Sellers’ arrival on the silver screen by Neil Baker 20th January 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews Land of Mine ‘Under Sandet’ (2015) rewind review – Zandvliet’s film is a stark exploration of anger, retribution and intergenerational trauma by Neil Baker 17th January 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Bridge ‘Die Brücke’ (1959) rewind review – an astonishing, emotional and powerful antiwar film that deserves far more attention by Neil Baker 17th January 2026
Editors' Choice·Theatre·Theatre News Joe Orton’s classic scandalous dark farce Loot is coming to the Queen’s Theatre Hornchurch this February by Neil Baker 15th January 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film and TV News The 76th Berlinale announces Specials and the full programme for its Panorama, Generation and Classics strands by Neil Baker 15th January 2026
Editors' Choice·Music and Dance Ava Joe announces her new EP, Big Beautiful Mess, a love letter to hedonism and a manifesto for life itself by Neil Baker 15th January 2026
Editors' Choice·Film and Television·Film Reviews·LGBTQ+ The History of Sound (review) – music is the love language of Hermanus’s delicate and artistically bold picture by Neil Baker 14th January 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Lodge (2019) rewind review – a profoundly icy blast of psychological horror by Neil Baker 12th January 2026
1 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
2 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
3 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
4 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
5 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
6 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
7 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
8 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
9 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
10 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
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