Neil BakerBenny Loves You is now available to rent, buy or stream.
We all had that one cuddly toy as a child that had pride of place at our side, and if you didn’t, then, to be frank, you are abnormal and probably a psychopath. For me, that special childhood furry friend was ‘Charlie’ the monkey, his extra-long arms and legs and big soft belly a go-to comfort every time I climbed into bed. Once there, all snuggled up, Charlie would serve as my protector, friend and safety net from the big world around me. In many ways, this may now explain my love of hairy men. But I digress!
Unfortunately, despite his years of selfless service in childhood, there came the point where Charlie vanished, no longer needed by me, his best friend. His soft-stuffed soul was confined to a cupboard. But, even worse than this. Yes Worse! I am ashamed that I don’t remember when Charlie was tossed into the family wheelie bin, his death passing without ceremony or thought, a careless, uncaring act of pure evil on my part. At this point, I must confide that the tears are now bouncing off my keyboard. Maybe it’s hay fever? Perhaps I accidentally just poked my eye? Or possibly it’s years of trauma bubbling to the surface? Who knows!
READ MORE: TWO HEADS CREEK
But back to the film. Imagine if that cute and cuddly childhood friend had no intention of giving up on you, even as an adult, their soft polyester brain housing a killer instinct. Even more worrying, imagine if their mission was to keep you safe from harm at all costs as they joyously plucked the stuffing out of anyone in their way. Your cuddly playmate protecting you through a haze of blood. If you can, you will adore the irreverent comedy and bloody chaos of Benny Loves You. I recently caught up with actor, writer, and director Karl Holt to discuss all things comedy-horror and the inspiration behind Benny Loves You.
Neil – Benny Loves You started life as the brilliant short film Eddie Loves You in 2006. Was it always your intention to turn your short into a feature-length film?
Carl- There’s something special about seeing a comedy horror with a crowd. Over the last ten years, I’ve made a handful of horror shorts, but with ‘Eddie’, we really got a reaction that I hadn’t with any other short. You can see and hear if what you’ve done is working because the audience is either cheering, clapping, or dead silent. With ‘Eddie,’ you could genuinely tell the room was having a good time, but if you made a great drama, you’d have no idea unless you asked everyone afterwards. So, it was always in the back of my head that this might be my first feature; I wanted to make something a crowd would enjoy. The irony is with COVID, we’ve missed out on most of those opportunities. That will teach me!
N—Am I right that this was a self-funded movie? If so, can you tell us about the pressures and freedom of self-financing?
C – Yes, it was made with savings from all my years as a freelancer. Most people would get a mortgage, but I decided to make a film. In some ways, it’s great that no one is telling you what to do; I can create exactly what I want within the budget. So I just made something I would like and hoped others would too.
On the flip side, it was difficult to make as we had mostly a crew of three people in the week with a few more helping at weekends. That main crew consisted of John, me, on camera and sound, and my mum doing boom, catering, and setting up lights at 2 am, whatever it took. With a small crew, everyone is doing everything. I’d be in my PJs carrying a light and cable into a field, running back to put batteries on charge, checking continuity sheets, and a minute later acting with no rehearsal.
I remember one evening it went on till 4 am, and I knew the actors were turning up for a big scene at 7 am. I became spaced out as the shoot went on, so at a certain point, when it all got too much, I rearranged the schedule to give us a day off in between each filming day. That made the shoot longer, but it was worth it and only achievable as we took the scenes where I was alone and shoved them back a few weeks. It didn’t affect any of the actor’s schedules. That’s the only benefit of being in your own movie.
N – A sense of fun permeates the action on screen; how long did it take you to film Benny Loves You? And how did you go about casting the movie?
C—It was shot in stages, so we could manage it with a really small crew. Pre-production started in January 2014 with just John and me. I put casting calls out and then watched 300 showreels. Once narrowed down, I asked a handful of people to read a few scenes. Most actors were cast on their showreel or audition video.
First, we turned John’s dad’s living room into the girl’s bedroom for the opening scene. John’s really good at DIY, and he made a few fake walls to achieve that. So, the opening scene was shot by May. Next was the main house, which we spent a month prepping with vinyl flooring, props, furniture, etc. Colin let us film whilst he was still living there, which posed a few challenges. Once we were ready to shoot, my mum came down for a month, and Pete and Mark would also help at weekends. There were other days we had make-up artists on set, too, but these were chosen carefully. We spent the summer at that house off and on.
It took me a long time to find a suitable office we could hire. In April 2015, we found one with all the rooms we needed and a canteen. We still had to decorate all the rooms ourselves with partitions, lights, artwork, etc. I think we shot for two weeks off and on. Finally, in August, another friend, John, let us film in his garage, which acted as the basement of the house. Then the real hard work started… four years of post-production!. All in all, it’s been five years of my life.
N – It’s evident from watching the movie that you share a love of the horror-comedy genre. Are there specific films or TV shows that have and continue to inspire you as a filmmaker?
C – Comedy often comes from tragedy. I think it’s a marvellous defence mechanism to be able to laugh in dark times. You only have to glance at social media to see how humour has helped people cope with the present pandemic with thousands of memes. So comedy and horror, I feel, are quite natural bedfellows. However, I do love straight horror, too. I grew up on John Carpenter, Wes Craven, Dario Argento, and David Cronenberg, but now I enjoy all kinds of cinema. I think I’ll always want to work within the horror genre, though, as it allows you to be more cinematic.
N – Benny Loves You demonstrates the importance of independent filmmaking in delivering new ideas, fresh visions, and creativity. Do you have any advice for aspiring new writers and filmmakers?
C – Look at what’s available to you and write something based on it. The tools are there for anyone to make a film reasonably cheaply. So don’t wait for someone else to fund your five million pound idea because you’ll be in a long queue with a million other writers. Also, find your own take on whatever it is you do. With Benny, I knew there were hundreds of killer toy films out there, so you have to mark out why yours will be different, understand why your approach is unique, and seriously ask yourself if it will stand out.
N – Now, I am conscious, Karl, that blood may be spilt over the custard creams if we don’t talk about ‘Benny’ (the star of the film). So, how did you come to cast Benny in the lead role? And how has he coped with the resulting fame?
C – Do you think I had a choice? Tell you what, I’ll let you be the one to inform him that he didn’t get the role. Right now, he’s refreshing Twitter and Facebook every two minutes while screaming MORE! So I think he’s coping with it as well as any actor would.
N – Did Benny do all his own stunts in the movie?
C – He did everything except get in bed with me; for that, he wanted a stunt double. Rude!
N – I have heard that Benny was paid in tinned spaghetti. Can you confirm whether this is true? And if so, which brand?
It was a non-copyrighted brand like Pines Spaghetti. He’s really messy, though; it’s all over his waistcoat, and you wonder whether any of it actually went down his throat.
N—Right, back to you, Karl. Did you have a favourite cuddly toy as a kid? Can you tell us about it?
C – I had a Scooby-Doo who got seriously thrown around and abused. That wasn’t nice, but I was seven, and I think he kind of enjoyed it anyway. He got stitched up multiple times over the years, so as I got older, I got more sentimental about him. He’s the only teddy that has survived my childhood. He’s sitting on top of my bedroom wardrobe right now. And no, I’ll never throw him out.
N – And finally, what’s next for you?
C—Next, I’d like to make a more character-based creepy horror. But to be honest, I still have to follow my own rules. What’s going to be available to me? Can I afford to do it? I think those two questions will be up in the air for a while. Let’s see how this one does.
Benny Loves You premieres at FrightFest on Saturday, 24th October, with ticket information HERE.
Director: Karl Holt
Cast: Karl Holt, Claire Cartwright, George Collie, James Parsons
