Editors' Choice·Theatre The Oresteia (review): What Stone brings from Greek tragedy into the present is not the myth but the people by Jane Jung 9th September 2026
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Box Set Binge (Volume 1) – 15 unmissable TV shows available to binge-watch right now by Neil Baker 1st September 2023
Film and Television·LGBTQ+·Rewind Kings & Queens – a coronation-worthy collection of movies and shows by Neil Baker 6th May 2023
Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
Film and Arts Festivals·Film and Television The King (BFI London Film Festival) review – Michôd’s film isn’t perfect, but it does open the door to Shakespeare for a new generation by Neil Baker 6th October 2019
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Rialto (BFI London Film Festival) review: A stunning and deeply nuanced journey into repression, guilt, belonging, and identity by Neil Baker 1st October 2019
1 The Nature of Forgetting (review): Movement, images and live music explore human life and relationships in Theatre Re’s striking production
2 Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama
3 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
4 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
5 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
6 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
7 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
8 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
9 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
10 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
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