Film and Arts Festivals·Film and Television The King (BFI London Film Festival) review – Michôd’s film isn’t perfect, but it does open the door to Shakespeare for a new generation by Neil Baker 6th October 2019
Film and Television·In Focus Addiction on Film: The socio-economic divides present between Beautiful Boy (2018) and The Basketball Diaries (1995) by Neil Baker 11th February 2019
Editors' Choice·Film and Television·LGBTQ+ Cinéorama Capsule Film Reviews (2018) – from Spielberg’s Ready Player One to the gargantuan Meg and a Prayer Before Dawn by Neil Baker 7th July 2018
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Cinéorama BFI Flare 2018 (reviews) – our coverage from London LGBTQIA+ Film Festival by Neil Baker 2nd April 2018
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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