Editors' Choice·Film and Television·Rewind Reviews The Haunting (1963) rewind review: Hill House becomes a living, breathing metaphor for each character’s neurosis in Wise’s masterpiece by Agnes Sajti 27th October 2022
Editors' Choice·Film and Television The Black Phone (review) – a thrilling supernatural game of cat and mouse between a boy, a killer, and his victims by Neil Baker 13th October 2022
Editors' Choice·Film and Television The Innocents (review) – a spine-chilling journey into the fear, excitement, and anxiety of childhood by Neil Baker 21st May 2022
Film and Television·Short Films The Wake (Short Film) review – a captivating exploration of brotherly love, teenage rebellion and tragedy by Neil Baker 8th May 2022
Editors' Choice·Film and Television Nocturna: Side A and Side B (review) – memories, choices and decisions collide in the final moments of life by Neil Baker 15th January 2022
Editors' Choice·Film and Television·Rewind Reviews Lady in White (1988) rewind review: Horror is a human creation, not a supernatural one by Neil Baker 31st October 2021
Editors' Choice·Film and Television·Rewind Reviews Dead of Night (1945) rewind review – a wickedly creepy compilation of supernatural tales from Ealing Studios by Agnes Sajti 25th October 2021
Film and Television·Rewind Reviews A Tale of Two Sisters (2003) rewind review – Kim Jee-Woon’s haunting tale is undoubtedly one of South Korea’s best-known horrors by Agnes Sajti 6th October 2021
Editors' Choice·Film and Television·In Focus The Shining (1980): Kubrick strips away the American dream and reveals what it is: a colonial fantasy built on darker truths by Neil Baker 30th October 2020
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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