Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Maspalomas (BFI London Film Festival) review – a tender, emotional and intimate character study full of humour and heart by Neil Baker 14th October 2025
Film and Television·Rewind BFI announces Too Much – Melodrama on Film, a UK-wide celebration of emotion and heightened drama by Neil Baker 28th August 2025
Editors' Choice·Film and Television·LGBTQ+·NQV Short Films·Short Films The Male Gaze: Bitter Sweet (NQV Media) review – a hauntingly beautiful tapestry of bittersweet beginnings and endings by Neil Baker 16th November 2024
Film and Arts Festivals·Film and Television·LGBTQ+ Liuben (OFN Review) – a delicate, sensitive, complex and layered exploration of identity, sexuality and oppression by Neil Baker 15th November 2024
Film and Television·LGBTQ+·NQV Short Films·Short Films Upon Her Lips: Day Dreaming (NQV Media) review – four short films exploring female love and romance by Neil Baker 3rd November 2023
Film and Television·Rewind Who Can Kill a Child? (1976) rewind review – a sun-drenched horror that defies the rules and etches an eternal place in the memory by Neil Baker 31st May 2019
1 Tao of Glass (review) – music, puppetry and shadow play sit alongside fragments of thought about dreams, life and death
2 Her Worm (review) – a deliciously dark, lovingly crafted short film that asks us all to reflect on the real parasites in our midst
3 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
5 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
6 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
7 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
8 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
9 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
10 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
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