Editors' Choice·In Focus·Theatre As Noah Jupe and Sadie Sink take to the stage in Romeo & Juliet, Jane Jung explores the endlessly reimagined Shakespeare classic by Jane Jung 1st April 2026
Editors' Choice·Film and Television TV Choice: Stranger Things (Season Five): A battle looms, and it promises to be the darkest yet as we look ahead to the final season by Neil Baker 30th October 2025
GALECA Dorian Awards·Music and Dance·Theatre John Proctor is the Villain and Cats: The Jellicle Ball lead the LGBTQ critics’ Dorian Theatre Awards 2025 by Neil Baker 3rd June 2025
Film and Television Production begins on the fifth and final season of Stranger Things by Neil Baker 8th January 2024
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Fear Street (Netflix) – Janiak achieves something rare in the teen horror genre: a trilogy of films with no weak instalment by Neil Baker 2nd July 2021
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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