Road Trip- Page 7

Embark on a journey of discovery with the Road Trip Collection from Cinerama Film.

Film and Television·LGBTQ+

Cinerama Capsule 2020 – 2021 (reviews)

by Neil Baker

31st December 2019

Film and Arts Festivals·Film and Television·LGBTQ+

Monsoon (BFI London Film Festival) review – a home that sits between two worlds, both pulling in different directions

by Neil Baker

7th October 2019

Film and Television

Good Boys (review) – rude and crude, but full to the brim with warmth and tenderness

by Neil Baker

13th August 2019

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

BFI London Film Festival 2018 (reviews)

by Neil Baker

22nd October 2018

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Rewind·Short Films

Cinerama Capsule 2022 – 2025 (reviews)

by Neil Baker

1st September 2018

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Road Trip- Page 7

Monsoon (BFI London Film Festival) review – a home that sits between two worlds, both pulling in different directions

Good Boys (review) – rude and crude, but full to the brim with warmth and tenderness

BFI London Film Festival 2018 (reviews)

Cinerama Capsule 2022 – 2025 (reviews)

Latest Posts

Tunnels: Sun in the Dark (Fantasia Film Festival) review – an immersive, subterranean war drama lost in its own labyrinth

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

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