Editors' Choice·Film and Television 007 Road to a Million (Prime Video) review – a gloriously addictive and highly entertaining eight-part adventure by Neil Baker 10th November 2023
Film and Television·LGBTQ+ Red, White & Royal Blue (review) – crack open the fizz and celebrate the adorable union of Alex Claremont-Diaz and Prince Henry by Neil Baker 10th August 2023
Film and Television·LGBTQ+ We take a first look at Prime Video’s Red, White & Royal Blue starring Taylor Zakhar Perez and Nicholas Galitzine by Neil Baker 12th June 2023
Film and Television·LGBTQ+ My Policeman – Prime Video releases the official trailer and first-look images by Neil Baker 7th September 2022
Film and Television·LGBTQ+·Music and Dance·Theatre Everybody’s Talking About Jamie (Prime Video) review: dust off your high heels and get ready to celebrate the beauty of difference by Neil Baker 18th September 2021
Film and Television Get Duked! (review) – a wild, mad, rabbit poo-fuelled escapade full of dried soup-snorting glee by Neil Baker 29th August 2020
1 Saturday Night Live UK announces Jeff Goldblum as the first host of the new series and the addition of Freddie Meredith to the cast
2 Tao of Glass (review) – music, puppetry and shadow play sit alongside fragments of thought about dreams, life and death
3 Her Worm (review) – a deliciously dark, lovingly crafted short film that asks us all to reflect on the real parasites in our midst
4 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
6 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
7 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
8 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
9 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
10 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
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