Editors' Choice·Film and Television·LGBTQ+·Rewind The Wizard of Oz (1939) – Fleming’s troubled yet beautiful film is one of the greatest moving pictures ever made by Neil Baker 10th June 2021
Film and Television·Music and Dance·Rewind Zac Efron – from East High to Orson Welles by Neil Baker 6th May 2021
Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
Film and Television·Music and Dance Horrible Histories: Rotten Romans (review) – a joyous musical-comedy that feels fresh and innovative by Neil Baker 28th July 2019
Editors' Choice·Film and Television·LGBTQ+·Music and Dance Rocketman (review) – a flamboyant fantasia of sound, vision and drama by Neil Baker 25th May 2019
Film and Television·Music and Dance Aladdin (2019) review – Massoud and Scott shine, but Smith needs to be put back in the bottle by Neil Baker 25th May 2019
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Rewind·Short Films Cinerama Capsule 2022 – 2025 (reviews) by Neil Baker 1st September 2018
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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