Editors' Choice·Film and Television Cyrano (review): Joe Wright’s adaptation is a beguiling poem of unrequited love, a saga and an intimate whisper between two lifelong friends by Sabastian Astley 25th February 2022
Editors' Choice·Film and Television·Rewind Reviews The Muppet Christmas Carol (1992) rewind review: Brian Henson’s film is one of the best Dickens adaptations ever committed to celluloid by Neil Baker 25th December 2021
Film and Television·Rewind Reviews Meet Me in St. Louis (1944) rewind: Minnelli’s movie is quite possibly one of the most iconic musicals from the Golden Age of Hollywood by Agnes Sajti 20th December 2021
Editors' Choice·Film and Television·Music and Dance West Side Story (2021) review: A love letter to Wise, Robbins, Sondheim, and Bernstein, and a celebration of the shared cinematic experience by Neil Baker 11th December 2021
Editors' Choice·Film and Television·Rewind Reviews The Nightmare Before Christmas (1994) rewind review – a fantastic, spooky, musical oddball adventure by Sabastian Astley 5th December 2021
Film and Television·Film and Theatre Reviews·LGBTQ+·Music and Dance Tick Tick… BOOM! – a glorious celebration of Jonathan Larson’s creativity by Neil Baker 21st November 2021
Film and Television·Film and Theatre Reviews·LGBTQ+·Music and Dance·Theatre Everybody’s Talking About Jamie (Prime Video) review: dust off your high heels and get ready to celebrate the beauty of difference by Neil Baker 18th September 2021
Film and Television Annette (review) – Carax’s film lacks a spark of experimentation and bold creativity by Sabastian Astley 5th September 2021
Film and Television·Music and Dance In the Heights (review) – a mixtape of musical highs and lows by Sabastian Astley 15th June 2021
Editors' Choice·Film and Television·LGBTQ+·Rewind Reviews The Wizard of Oz (1939) rewind review – Fleming’s troubled yet beautiful film is one of the greatest moving pictures ever made by Neil Baker 10th June 2021
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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