Editors' Choice·Film and Television·In Focus·LGBTQ+·Theatre Brokeback Mountain (2005): Ang Lee’s adaptation of Proulx’s story was a lightning rod for conservative America’s anxieties by Emma Duffy 19th May 2023
Editors' Choice·Film and Arts Festivals·Film and Television Honey Boy (BFI London Film Festival) review: a powerful appraisal of childhood fame and unchecked parental ambition by Neil Baker 7th October 2019
Film and Television Mid90s (review) – Sunny Suljic excels in reflecting the joy, discovery, anger and fear of early teenage life by Neil Baker 13th April 2019
Film and Television·LGBTQ+ Boy Erased (review) – the power given to damaged and dangerous preachers of hate by Neil Baker 10th February 2019
Editors' Choice·Film and Television·LGBTQ+ Cinéorama Capsule Film Reviews (2018) – from Spielberg’s Ready Player One to the gargantuan Meg and a Prayer Before Dawn by Neil Baker 7th July 2018
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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