Editors' Choice·Film and Arts Festivals·Film and Television The Count of Monte Cristo (review) – modern French cinema at its most spectacular, adventurous, and bold by Neil Baker 27th November 2024
Editors' Choice·Film and Arts Festivals·Film and Television·In Focus·LGBTQ+ The Lost Boys (Le Paradis): Zeno Graton on Jean Genet, perpetual adolescence, and love and tenderness behind bars by Neil Baker 13th December 2023
Film and Arts Festivals·Film and Television·LGBTQ+ The Lost Boys (Le Paradis) BFI London Film Festival review – love is the only light in a dark tunnel of failed state care by Neil Baker 10th October 2023
Film and Television·In Focus·LGBTQ+ Lie With Me: Olivier Peyon on adapting classic literature, family secrets, father-son relationships, and the need for healing by Neil Baker 8th August 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Lie With Me (review) BFI Flare – a love found, lost and found again by Neil Baker 26th March 2023
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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