Editors' Choice·Film and Television·LGBTQ+ TV Choice: Mary & George (Sky) – a sumptuous, enthralling, witty, and devilishly horny drama by Neil Baker 6th March 2024
Film and Television·GALECA Dorian Awards·LGBTQ+ Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members by Neil Baker 26th February 2024
Editors' Choice·Film and Arts Festivals·Film and Television May December (review): Tod Haynes’ film is a provocative and ambiguous exploration of self-deception and manipulation by Neil Baker 8th December 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ Kings & Queens: Enjoy our coronation-worthy collection of right royal movies and shows by Neil Baker 6th May 2023
Film and Television Sharper (Apple TV+) review – proves that truly great genres never go away – they just need the right person to bring them back by Sabastian Astley 22nd February 2023
1 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
2 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
3 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
4 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
5 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
6 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
7 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
8 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
9 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
10 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
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