Editors' Choice·Film and Television·Rewind Reviews Hugo (2011) Rewind review – Scorsese celebrates Méliès artistry and vision through a fantastic clockwork world by Neil Baker 3rd December 2024
Editors' Choice·Film and Television Firebrand (review) – Vikander and Law sizzle in Aïnouz’s narratively flawed Tudor drama by Neil Baker 4th September 2024
Film and Arts Festivals·Film and Television Firebrand – First look image of Alicia Vikander as Katherine Parr by Neil Baker 28th April 2023
Editors' Choice·Film and Television·Rewind Reviews Rise of the Guardians (2012) rewind review – a beautifully uplifting film that revels in holiday spirit and childhood wonder by Neil Baker 2nd April 2023
Film and Television A Rainy Day in New York (review) – not even Chalamet, Fanning, and Law can save this film from becoming a soggy, disappointing mess by Neil Baker 6th June 2020
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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