Arts and Culture News·Film and Television We take a first look at Yorgos Lanthimos’ Kinds of Kindness by Neil Baker 11th April 2024
Film and Arts Festivals·Film and Television·Film and Theatre Reviews The Power of the Dog (BFI London Film Festival) review – Campion returns with a stunning psychological thriller by Neil Baker 12th November 2021
Editors' Choice·Film and Television·Film and Theatre Reviews Antlers (review): Cooper takes us on a deep dive into the horror of abuse and its perpetuating cycle of trauma by Neil Baker 28th October 2021
Film and Television·Film and Theatre Reviews Judas and the Black Messiah (review) – a complex interrogation of identity, community and the power of a voice in building a movement by Sabastian Astley 14th February 2021
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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