Film and Television·GALECA Dorian Awards·LGBTQ+ Heated Rivalry, Hacks, Pluribus, The Pitt and Half Man Lead LGBTQ+ Critics’ Dorian TV Award Nominations by Neil Baker 18th June 2026
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Richard Gadd and Jamie Bell discuss Half Man, repression, violence, the complexity of masculinity, and the fragility of brotherhood by Neil Baker 5th May 2026
Film and Television Richard Gadd’s Half Man – we take a first look at the highly anticipated BBC and HBO series by Neil Baker 14th March 2026
Film and Arts Festivals·Film and Television·LGBTQ+ Rosebush Pruning (Berlinale) review – Aïnouz delights in exploring the writhing bed of maggots behind a facade of wealth and beauty by Neil Baker 19th February 2026
Film and Television Casting has been announced for Karim Aїnouz’s Rosebush Pruning for MUBI by Neil Baker 28th September 2024
Film and Arts Festivals·Film and Television·LGBTQ+ All of Us Strangers (BFI London Film Festival) review – Haigh unlocks our memories and bathes us in the eternal power of love by Neil Baker 21st October 2023
Film and Television·Music and Dance·Rewind Billy Elliot (2000) – class consciousness, masculinity and community oppression by Neil Baker 19th March 2020
Editors' Choice·Film and Television·LGBTQ+·Music and Dance Rocketman (review) – a flamboyant fantasia of sound, vision and drama by Neil Baker 25th May 2019
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
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