Editors' Choice·Film and Television Fanny Lye Deliver’d (review) – the shackles of religion and control are shattered in Clay’s fourth film, only to be forged anew by Neil Baker 26th June 2020
Film and Television Come to Daddy (review) – Timpson’s brave and bonkers rollercoaster of dark humour and gore is full of devilish charm by Neil Baker 24th May 2020
Film and Television·Rewind The Evil Dead (1981) and Evil Dead 2 (1987) rewind review – Raimi throws the world a blood-drenched curveball by Neil Baker 29th October 2019
Editors' Choice·Film and Television·LGBTQ+·Rewind A Nightmare on Elm Street 2: Freddy’s Revenge (1985) – the horror of coming out in 80s America by Neil Baker 22nd October 2019
Editors' Choice·Film and Arts Festivals·Film and Television Saint Maud (BFI London Film Festival) review – a stunning and formidable psychodrama of exquisite performances by Neil Baker 13th October 2019
Editors' Choice·Film and Television·Rewind Goodnight Mommy (2014) rewind review – a devilishly complex web of emotions that challenges the foundations of our empathy and compassion by Neil Baker 18th June 2019
Film and Television·Rewind Who Can Kill a Child? (1976) rewind review – a sun-drenched horror that defies the rules and etches an eternal place in the memory by Neil Baker 31st May 2019
Editors' Choice·Film and Television·Rewind Eden Lake (2008) rewind review – a terrifying, riveting, bleak and formidable horror that’s not for the squeamish by Neil Baker 1st March 2019
Editors' Choice·Film and Television·Rewind Hocus Pocus (1993) rewind review – like many ’80s and ’90s films, Kenny Ortega’s movie was saved by VHS by Neil Baker 30th October 2018
Editors' Choice·Film and Television Climax (review) – Noé leaves you with a deep sense of unease in this febrile, thumping, and disorienting nightmare by Neil Baker 17th September 2018
1 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
2 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
3 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
4 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
5 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
6 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
7 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
8 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
9 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
10 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
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