Editors' Choice·Film and Television L’étranger (The Stranger) review: François Ozon’s masterful adaptation is an alluring, challenging exploration of the absurdity of justice by Neil Baker 18th March 2026
Editors' Choice·Film and Television·Rewind In the House (2012) rewind review – a teenager builds a prison of words for a teacher who believes he is the boy’s intellectual superior by Neil Baker 11th January 2026
Editors' Choice·Film and Television·Rewind When Autumn Falls (2024) rewind review – an exquisitely crafted psychological drama about the secrets we lock away from view by Neil Baker 11th January 2026
Editors' Choice·Film and Television Parkland announces the UK and Ireland release date for François Ozon’s The Crime is Mine by Neil Baker 11th July 2024
Editors' Choice·Film and Television Everything Went Fine (review) – Ozon delivers a beautiful exploration of death, love, and individual choice by Neil Baker 16th June 2022
Editors' Choice·Film and Television·LGBTQ+ Summer of ’85 (review) – the intoxicating joy of first love and the gut-wrenching pain of loss by Neil Baker 24th October 2020
1 The Nature of Forgetting (review): Movement, images and live music explore human life and relationships in Theatre Re’s striking production
2 Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama
3 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
4 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
5 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
6 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
7 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
8 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
9 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
10 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
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