Film and Television Antlers (review) – a deep dive into the horror of abuse and its perpetuating cycle of trauma by Neil Baker 28th October 2021
Film and Television·Rewind Turbo Kid (2015) – bathes its audience in a delightfully retro, VHS-inspired story with lashings of blood and humour by Neil Baker 21st October 2021
Film and Television Dune (review) – Villeneuve’s film engulfs the audience in a wave of sand, spice and sound by Neil Baker 7th October 2021
Film and Television Shang-Chi and the Legend of the Ten Rings (review) – a familiar story told well by Sabastian Astley 3rd September 2021
Film and Arts Festivals·Film and Television Tiong Bahru Social Club (Fantasia Film Festival) review – happiness is in the eye of the beholder by Neil Baker 4th August 2021
Film and Arts Festivals·Film and Television Kratt (Fantasia) review – Merivoo’s delightfully bonkers and bold fantasy horror is very nearly brilliant by Neil Baker 3rd August 2021
Film and Television Werewolves Within (review) – Ruben’s film is an engaging slice of Joe Dante-inspired fun by Neil Baker 18th July 2021
Film and Television Jumbo (review) – a magnificent mechanical ballet by Sabastian Astley 10th July 2021
Editors' Choice·Film and Television·LGBTQ+·Rewind The Wizard of Oz (1939) – Fleming’s troubled yet beautiful film is one of the greatest moving pictures ever made by Neil Baker 10th June 2021
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
Follow Us