Crime- Page 8

Explore Crime movies, TV shows and theatre productions in the Cinerama archive.

Editors' Choice·Film and Television·LGBTQ+

Eileen (review) – unease, tension, and a deliciously dark twist

by Neil Baker

15th December 2023

Editors' Choice·Film and Arts Festivals·Film and Television

Anatomy of a Fall (review) – Justice is messy, and the truth is obscure in Triet’s outstanding crime drama

by Neil Baker

6th December 2023

Editors' Choice·Film and Television·LGBTQ+

Femme (review) – fear, arousal, anger, and excitement merge on the uncertain and unplanned road to revenge

by Neil Baker

30th November 2023

Film and Television

From My Friend Dahmer (2017) to Monster: The Jeffrey Dahmer Story (2022), why do serial killers fascinate us?

by Neil Baker

24th November 2023

Editors' Choice·Film and Arts Festivals·Film and Television

The Killer (BFI London Film Festival) review – a fascinating exploration of a man who doesn’t exist

by Neil Baker

26th October 2023

Film and Television

The Reckoning (BBC One) review – one of the most powerful and urgent TV dramas of the past decade

by Neil Baker

10th October 2023

Film and Television·Rewind

Martin (1977) rewind review – George A. Romero’s film is a vampire film unlike any other

by Neil Baker

11th September 2023

Film and Television

The Passenger (MGM+) review – Carter Smith’s thrilling road trip is taut, violent and psychologically complex

by Neil Baker

2nd September 2023

Film and Arts Festivals·Film and Television

The Blue Rose (Frightfest) review – a story about masks we wear and the void between reality and dreams

by Neil Baker

28th August 2023

Film and Television·LGBTQ+·Rewind

Full programme announced for Be Gay, Do Crime season at BFI Southbank

by Neil Baker

5th July 2023

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Crime- Page 8

Eileen (review) – unease, tension, and a deliciously dark twist

Anatomy of a Fall (review) – Justice is messy, and the truth is obscure in Triet’s outstanding crime drama

From My Friend Dahmer (2017) to Monster: The Jeffrey Dahmer Story (2022), why do serial killers fascinate us?

The Killer (BFI London Film Festival) review – a fascinating exploration of a man who doesn’t exist

Martin (1977) rewind review – George A. Romero’s film is a vampire film unlike any other

The Passenger (MGM+) review – Carter Smith’s thrilling road trip is taut, violent and psychologically complex

The Blue Rose (Frightfest) review – a story about masks we wear and the void between reality and dreams

Full programme announced for Be Gay, Do Crime season at BFI Southbank

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The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential

The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material

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