Film and Television Dark Waters (review) – a stunning dissection of corporate greed and corruption by Neil Baker 1st March 2020
Film and Television Responsible Child (BBC One) review – the ramifications of an archaic law by Neil Baker 17th December 2019
Film and Television The Irishman (review) – the artistry and spectacle of this epic feel somewhat watered down by a straight-to-streaming release by Neil Baker 27th November 2019
Film and Arts Festivals·Film and Television Knives Out (BFI London Film Festival) review – a glorious modern whodunit full of humour, wit, energy and charm by Neil Baker 11th October 2019
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence by Neil Baker 21st June 2019
Film and Television Extremely Wicked, Shockingly Evil, and Vile (review) – Efron shines, but there is nothing new in Berlinger’s movie by Neil Baker 4th May 2019
Film and Television·LGBTQ+·Rewind L.I.E. (2001) – You got the lanes going West, and you got the lanes going East. Then you got the lanes going straight to hell by Neil Baker 1st May 2019
Editors' Choice·Film and Television·LGBTQ+ Cinerama Capsule 2018 (reviews) by Neil Baker 7th July 2018
1 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
2 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
3 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
4 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
5 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
6 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
7 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
8 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
9 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
10 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
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