Editors' Choice·Film and Television·Rewind Reviews Fanny and Alexander (1982) rewind review: Bergman’s uniquely magical world leaves you enchanted by Sabastian Astley 3rd December 2022
Film and Television·Rewind Reviews The Children (2008) rewind review – a genuinely creepy horror that turns festive celebrations into a nightmare with no escape by Neil Baker 2nd December 2022
Arts and Culture News·Film and Television The Muppet Christmas Carol returns to cinemas with some festive surprises by Neil Baker 16th November 2022
Editors' Choice·Film and Television·In Focus The Best of Bond… James Bond: Sixty years of vodka martinis, Machiavellian villains and masterful action by Neil Baker 24th July 2022
Editors' Choice·Film and Television·Rewind Reviews Iron Man 3 (2013) rewind review – only Black could make the best Iron Man film out of a box of scraps, and plucky know-how by Sabastian Astley 30th December 2021
Editors' Choice·Film and Television·Rewind Reviews Better Watch Out (2016) rewind review: Chris Peckover’s delightfully twisted anti-Christmas horror should be on every movie Advent calendar by Sabastian Astley 28th December 2021
Editors' Choice·Film and Television·Rewind Reviews The Muppet Christmas Carol (1992) rewind review: Brian Henson’s film is one of the best Dickens adaptations ever committed to celluloid by Neil Baker 25th December 2021
Film and Television·Rewind Reviews Eyes Wide Shut (1999) rewind review: Obsessions eat away at the soul as we embark on a trip into a secret psycho-sexual Manhattan fantasy by Sabastian Astley 23rd December 2021
Film and Television·Rewind Reviews Meet Me in St. Louis (1944) rewind: Minnelli’s movie is quite possibly one of the most iconic musicals from the Golden Age of Hollywood by Agnes Sajti 20th December 2021
Film and Television·LGBTQ+·Rewind Reviews Carol (2015) rewind review – a stunning exploration of desire, fear and oppression in an age of defined social rules by Neil Baker 19th December 2021
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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