Editors' Choice·Film and Television L’étranger (The Stranger) review: François Ozon’s masterful adaptation is an alluring, challenging exploration of the absurdity of justice by Neil Baker 18th March 2026
Editors' Choice·Film and Television TV Choice: Carême (Apple TV+) – a fast-paced, lavish and decadent offering that should be at the top of your TV menu by Neil Baker 23rd May 2025
Film and Television Chef, spy, and lover, say hello to Carême, coming soon to Apple TV+ by Neil Baker 20th March 2025
Editors' Choice·Film and Television·LGBTQ+ Summer of ’85 (review) – the intoxicating joy of first love and the gut-wrenching pain of loss by Neil Baker 24th October 2020
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Cinéorama BFI Flare 2018 (reviews) – our coverage from London LGBTQIA+ Film Festival by Neil Baker 2nd April 2018
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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