Editors' Choice·Film and Television·LGBTQ+ TV Choice: Single, Out (Season 2): Boys become men, hurts find healing and new doors open as old ones shut forever by Neil Baker 27th July 2024
Film and Arts Festivals·Film and Television·Short Films AstroNots (short film) Fantasia Review – to infinity and beyond! by Neil Baker 22nd July 2024
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Favourites (short film) Tribeca Review – a wickedly sharp five-minute wonder by Neil Baker 1st June 2024
Film and Arts Festivals·Film and Television·LGBTQ+ Fearless at FrightFest: From So Vam to T-Blockers, we take a look at the rise of Alice Maio Mackay’s challenge to traditional horror tropes by Neil Baker 28th August 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ TV Choice: Single, Out (season one) – Lee Galea and Will Hutchins on coming out, first relationships and messy adolescent feelings by Neil Baker 19th August 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ Boys in the Trees (2016): Nicholas Verso’s story of transformation, endings and new beginnings is a haunting debut feature by Neil Baker 30th October 2022
Film and Television·LGBTQ+·NQV Short Films·Short Films The Aussie Boys (NQV Media) review – seven road-trip shorts exploring departures, arrivals and revelations by Neil Baker 3rd September 2022
Editors' Choice·Film and Television·Rewind Reviews Better Watch Out (2016) rewind review: Chris Peckover’s delightfully twisted anti-Christmas horror should be on every movie Advent calendar by Sabastian Astley 28th December 2021
Film and Television·In Focus·LGBTQ+ Sequin in a Blue Room: Samuel Van Grinsven on coming of age in a digital world, hookup apps and a changing queer scene by Neil Baker 6th April 2021
Film and Arts Festivals·Film and Television·LGBTQ+ My First Summer (BFI Flare) review – a magical and otherworldly exploration of young love by Neil Baker 16th March 2021
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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