Editors' Choice·Film and Television Parkland announces the UK and Ireland release date for François Ozon’s The Crime is Mine by Neil Baker 11th July 2024
Film and Television Everything Went Fine (review) – a beautiful exploration of death, love, and individual choice by Neil Baker 16th June 2022
1 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
2 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
3 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
4 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
5 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
6 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
7 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
8 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
9 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
10 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
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