Sabastian Astley

Film and Television·Film Reviews·Rewind·Rewind Reviews

Ferris Bueller’s Day Off (1986) – an unkempt, joyful adolescent spirit powers Hughes’ work

by Sabastian Astley

21st March 2022

Film and Television·Film Reviews

The Phantom of the Open (review) – a marvellously heartfelt stroke of quintessential Britishness

by Sabastian Astley

16th March 2022

Film and Television·Film Reviews·Stream It or Skip It·TV and Streaming

Fresh (Disney+) – Stream It or Skip It

by Sabastian Astley

16th March 2022

Film and Television·Film Reviews

The Batman (review) – the world’s greatest detective returns in one of the decade’s best films

by Sabastian Astley

28th February 2022

Film and Television·Film Reviews

The Duke (review) – Roger Michell’s final feature is a touching swan song to his career

by Sabastian Astley

25th February 2022

Film and Television·Film Reviews

Cyrano (review) – a beguiling poem of unrequited love, a saga and an intimate whisper between two lifelong friends

by Sabastian Astley

25th February 2022

Film and Television·Film Reviews

Marry Me (review) – a bewitchingly entertaining feel-good romantic comedy

by Sabastian Astley

17th February 2022

Film and Television·Film Reviews

Uncharted (review) – Uncharted was in development hell for a reason – and it doesn’t seem to have escaped its fate

by Sabastian Astley

16th February 2022

Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews

Booksmart (2019) – never falls victim to the typical coming-of-age clichés but writhes with themes of difference

by Sabastian Astley

11th February 2022

Film and Television·Film Reviews

Jackass Forever (review) – worshipping at the altar of Knoxville has never been so hilarious

by Sabastian Astley

4th February 2022

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