Neil Baker

Founder and Editor in Chief
Voting member of GALECA - The Society of LGBTQ Entertainment Critics and the Documentary Film Council (UK)

Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews

Boys in the Trees (2016) – a haunting story of transformation, endings and new beginnings

by Neil Baker

30th October 2022

Film and Television·Film and TV News·LGBTQ+·TV and Streaming·What to Watch

‘All Aboard’ as BBC Three and Euston Films announce a second series of Wreck

by Neil Baker

29th October 2022

Film and Television·Film Reviews·Rewind·Rewind Reviews

Phantasm (1979) – an Italian-inspired horror masterpiece

by Neil Baker

28th October 2022

Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals

Bones and All (BFI London Film Festival) review – a cinematic banquet of bone-chilling horror, love and loss

by Neil Baker

24th October 2022

Film and Television·Film Reviews·Rewind·Rewind Reviews

Arachnophobia (1990) – Marshall’s scuttering tale scurries down your spine

by Neil Baker

23rd October 2022

Film and Television·LGBTQ+·Stream It or Skip It·TV and Streaming

Chucky: Season One and Season Two – Stream It or Skip It

by Neil Baker

21st October 2022

Film and Television·Film Reviews·Rewind·Rewind Reviews

An American Werewolf in London (1981) – “Have you ever talked to a corpse? It’s boring! I’m lonely. Kill yourself, David”

by Neil Baker

20th October 2022

Film and Television·Film Reviews

Spree (review) – all eyes on me; I want to be seen!

by Neil Baker

18th October 2022

Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·Stream It or Skip It·TV and Streaming·UK Festivals

My Policeman (BFI London Film Festival) review – a visual delight that lacks dramatic depth

by Neil Baker

16th October 2022

Film and Television·Film Reviews·Rewind·Rewind Reviews

Jaws (1975) – the shark that ushered in a new era of summer blockbusters

by Neil Baker

16th October 2022

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