Neil Baker

Founder and Editor in Chief
Voting member of GALECA - The Society of LGBTQ Entertainment Critics and the Documentary Film Council (UK)

Film and Television·Film Reviews

Child’s Play 2019 (Review) – Chucky becomes a Buddi in Klevberg’s AI update of Mancini’s world

by Neil Baker

23rd June 2019

Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals

Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence

by Neil Baker

21st June 2019

Film and Television·Film Reviews

X-Men: Dark Phoenix (review) – never rises above the overwhelming sense of franchise fatigue

by Neil Baker

8th June 2019

Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Music and Dance

Rocketman (review) – a flamboyant fantasia of sound, vision and drama

by Neil Baker

25th May 2019

Film and Television·Film Reviews·Music and Dance

Aladdin (2019) review – Massoud and Scott shine, but Smith needs to be put back in the bottle

by Neil Baker

25th May 2019

Film and Television·Film Reviews·Rewind·Rewind Reviews

Batman (1989) – Burton, Keaton and Nicholson release the Bat from its belfry

by Neil Baker

19th May 2019

Film and Television·Film Reviews

High Life (review) – a floating prison spirals out of control, lost somewhere between extinction and creation

by Neil Baker

10th May 2019

Film and Television·Film Reviews

Extremely Wicked, Shockingly Evil, and Vile (review) – Efron shines, but there is nothing new in Berlinger’s movie

by Neil Baker

4th May 2019

Film and Television·Film Reviews

Tolkien (review) – a flawed but visually beautiful love letter to a creative genius

by Neil Baker

4th May 2019

Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews

L.I.E. (2001) – You got the lanes going West, and you got the lanes going East. Then you got the lanes going straight to hell

by Neil Baker

1st May 2019

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Neil Baker

Child’s Play 2019 (Review) – Chucky becomes a Buddi in Klevberg’s AI update of Mancini’s world

Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence

X-Men: Dark Phoenix (review) – never rises above the overwhelming sense of franchise fatigue

Rocketman (review) – a flamboyant fantasia of sound, vision and drama

Aladdin (2019) review – Massoud and Scott shine, but Smith needs to be put back in the bottle

Batman (1989) – Burton, Keaton and Nicholson release the Bat from its belfry

High Life (review) – a floating prison spirals out of control, lost somewhere between extinction and creation

Extremely Wicked, Shockingly Evil, and Vile (review) – Efron shines, but there is nothing new in Berlinger’s movie

Tolkien (review) – a flawed but visually beautiful love letter to a creative genius

L.I.E. (2001) – You got the lanes going West, and you got the lanes going East. Then you got the lanes going straight to hell

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Latest Posts

Fuze (review) – impressively crafted, but unable to find the necessary balance between its plotlines

Montreal, My Beautiful (BFI Flare) review – Joan Chen shines in an unreservedly bold and intimate study of a migrant family in flux

As Noah Jupe and Sadie Sink take to the stage in Romeo & Juliet, Jane Jung explores the endlessly reimagined Shakespeare classic

The Super Mario Galaxy Movie (review) – proof that catering to the banal sensibilities of fanboys only hinders the creative process

Night Stage (review) – a bold, thrilling and breathless erotic dance through Porto Alegre

A Tale of Two Cities – first look at Kit Harington, François Civil and Mirren Mack in the new BBC and MGM+ adaptation of Dickens’ classic

Out Laws (BFI Flare) review – a thoughtful, urgent, and personal journey into colonial legacy, human rights, and history

Race Across the World (series six) BBC One – meet the teams taking part in this year’s epic race across Europe and Asia

What Will I Become? (BFI Flare) review – a powerful, emotional, heartfelt and urgent exploration of the transmasculine experience

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