How do we meet other people and communicate ideas in an online world where clicks count our popularity? And how does this affect those who lack the confidence to move beyond the digital landscape of our creation? These questions centre on our continually changing relationship with the internet, the very fabric of this virtual realm helping us to escape into personal caves. Where safety and security come from the ability to avoid physical contact and conversation; friendships, lovers and daily life held firmly within a bubble of our control. For many, this control leads them to choose an online world in preference to the real one outside their door, especially in building romantic connections. But for others, the challenge of converting online discussions into physical meetings is ruled by anxiety and fear. Hence starts Marc Cartwright’s new short film ‘We Die Alone’. A deliciously dark tale brimming with confidence.
Aidan (Baker Chase Powell) spends his days in a bubble of social fear and anxiety. His inability to make new connections preventing him from meeting new people and finding romance. However, when his work colleague Elaine (Ashley Jones) encourages him to open the door to potential relationships. Aidan initially goes online looking for love. Unaware that Elaine carries a desire to get to know him more. But despite his longing for connection, Aidan never gets further than online messages.
However, when a young woman named Chelsea (Samantha Boscarino) moves into the apartment across the hall. Aidan finally feels he may have found ‘the one’; his heart pounding with excitement as he invites her over for a night of puzzles and pizza. But does Chelsea feel the same? And can Aidan finally step out of the bubble of insecurity that holds him hostage?
Cartwright creates a gripping film at twenty-four minutes in length that drops the audience straight into Aidan’s closed world. While slowly unwrapping a Hitchcock inspired story of love, deceit and opportunity, a short but intense rollercoaster ride of emotion, dread, hope and eventual loss. The final act subverting audience expectations while paying homage to the killer twists found in thrillers ranging from Simon Killer to Vertigo.
Central to the film’s success is the anxiety fuelled role of Aidan played by Baker Chase Powell, and we recently caught up with him on bringing Aidan to the screen and the social issues surrounding the character.
Hi Baker and thank you for taking the time to talk to us about the exceptional short film ‘We Die Alone.’ Can we start by asking how you got involved in the project? And what drew you to the character of Aidan?
The director, Marc, and I have worked together on several projects and actually have our own production company together, Glass Cabin Films, so I was pretty much involved with this project from its inception. The character of Aiden was someone I was immediately interested in, as I’m always drawn to multi-layered characters that are presented with some sort of struggle that they must get through. I love playing characters that can be perceived as innocent or unassuming to the public but could also be harbouring a dark, mysterious side underneath.
Aidan is complex, occasionally creepy, awkward and yet tender, how did you prepare for such a nuanced role?
For me, I think there is a bit of “Aiden” in all of us. Though he is an extreme example, I think most of us can relate to a time in our lives when we were self-conscious or nervous about a relationship or how others perceived us. I used some of my own life experiences to make a connection with the character and amplified them to fit the narrative of the story.
The interface between real-world connection and online communication sits firmly at the heart of We Die Alone. For those who suffer from low confidence or anxiety do you think the internet opens a new world or enhances a sense of loneliness?
I think there is good and bad. The good, being that the internet and social media allows us to express ourselves openly in ways that maybe we wouldn’t be able to in real life, and also allows for us to make connections with people whom we may never have had the chance to meet.
But the downside, I believe, is that, while it does allow for us to create a presence for ourselves, whether it be on social media, dating sites, or career-oriented platforms, it may not always be the most truthful presence. The internet creates this buffer between who we really are and how the public perceives us, thus allowing for us to stretch the truth or exaggerate, or even flat out lie, about who we are or what our intentions are. When you’re connecting with people based only on what you think they want, the connection is inauthentic and only furthers your quest for real human connection.
There is something intrinsically old fashioned about Aidan, from his love of jigsaw puzzles to the old fashioned dial phone he uses at home. Almost creating a sense that he is living in the wrong time. Do you think his social anxiety relates to a modern world he does not feel a part of?
Though he didn’t grow up in a time when dial-phones were the norm, I think Aiden finds comfort in the past, drawing from a time that is so different from the present (like he sees himself) that he is able to escape and feel safe.
We passionately believe in the power of short film to take creative risks in bringing new stories to the table. With COVID 19 having hit film production hard, how important do you feel it is that short film continues to thrive and offer creativity?
I think, as an artist, even though our industry has shut down, it’s very important to continue creating. Short films are the perfect way to stay creative, whether it’s on your own as a 1-man show, or with others (using safety measures, of course). And who knows, that short could be the beginnings of a full feature one day!
Finally, what’s next for you?
I am actually working on a feature-length script at the moment, a Horror-Drama, based in the 1990s South. Hoping to get it off the ground once the world returns to normal!
Director: Marc Cartwright
We Die Alone is available on Amazon Prime from the 21st August 2020 and Gunpowder and Sky’s Alter this Halloween
For more information visit the We Die Alone webpage