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   <news:title>Iván &amp;#038; Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction</news:title>
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   <news:title>Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming</news:title>
   <news:publication_date>2026-10-13T13:32:06Z</news:publication_date>
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  <lastmod>2026-10-13T09:32:19Z</lastmod>
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    <news:name>Cinéorama</news:name>
    <news:language>en</news:language>
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   <news:title>These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation</news:title>
   <news:publication_date>2026-10-13T09:18:32Z</news:publication_date>
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    <news:name>Cinéorama</news:name>
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   <news:title>Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory</news:title>
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    <news:name>Cinéorama</news:name>
    <news:language>en</news:language>
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   <news:title>Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows</news:title>
   <news:publication_date>2026-10-12T12:04:52Z</news:publication_date>
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   <news:title>Franz &amp;#038; Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance</news:title>
   <news:publication_date>2026-10-12T08:46:54Z</news:publication_date>
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  <lastmod>2026-10-13T18:18:10Z</lastmod>
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    <news:name>Cinéorama</news:name>
    <news:language>en</news:language>
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   <news:title>Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet</news:title>
   <news:publication_date>2026-10-11T15:11:37Z</news:publication_date>
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