Film and Arts Festivals·Film and Television·Film Reviews The Last Black Man in San Francisco (BFI London Film Festival) review – a fascinating portrait of brotherhood, memory, and inequality by Neil Baker 26th September 2019
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Tremors (BFI London Film Festival) review – the conflicted interface between faith, wealth and community by Neil Baker 24th September 2019
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ End of the Century (BFI London Film Festival) review – a powerful journey into memory, regret and desire by Neil Baker 22nd September 2019
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Monos (BFI Film Festival 2019) review – a beautiful yet haunting tale of tribalism, isolation, indoctrination and hormones by Neil Baker 19th September 2019
Film and Arts Festivals·Film and Television·Film Reviews Little Monsters (BFI London Film Festival) review – a farmyard full of gore and giggles by Neil Baker 18th September 2019
Film and Arts Festivals·Film and Television·Film and TV News BFI London Film Festival 2019 – Programme Launched by Neil Baker 29th August 2019
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence by Neil Baker 21st June 2019
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Mapplethorpe (BFI Flare) review – Timoner never allows the audience time to reflect on the artistic impulses that drove Robert’s journey by Neil Baker 30th March 2019
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Making Montgomery Clift (BFI Flare) review – a fresh perspective on the life of a Hollywood giant by Neil Baker 30th March 2019
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Men of Hard Skin (BFI Flare 2019) review – sex, abuse and control against a backdrop of community acceptance and lies by Neil Baker 25th March 2019
1 La Carn (SXSW London) review – the obsession with random sex chats leads to a problematic question of consent 8th June 2026
2 Kevin’s Series of Unfortunate Events (Tribeca Festival) review – a fabulously flirtatious, farcical and fast-paced delight 8th June 2026
3 Summer of Three (Tribeca Festival) review – a sun-kissed portrait of youth, love and loss in Puerto Rico 8th June 2026
4 Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon 8th June 2026
5 Barrio Triste (SXSW London) review – Stillz’s debut feature leaves you both breathless and disoriented as the credits roll 6th June 2026
6 Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma 6th June 2026
7 Verse (Tribeca Festival) review – Noam Argov explores the interface between our online and offline worlds in this urgent and timely short film 6th June 2026
8 DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar 6th June 2026
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