Film and Arts Festivals·Film and Television·UK Festivals The Found Footage Phenomenon (FrightFest) review – a brilliantly crafted documentary by Sabastian Astley 30th August 2021
Film and Television·Film Reviews Candyman (review) – repeat five times, “I WILL see Candyman on the big screen.” by Sabastian Astley 27th August 2021
Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Crabs! (FrightFest) review – a love letter to B-Movie monster horror with razor-sharp pincers by Sabastian Astley 27th August 2021
Film and Television·Film Reviews Free Guy (review) – Shawn Levy offers us an uplifting tale of the underdog by Sabastian Astley 11th August 2021
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·North America Beyond the Infinite Two Minutes (Fantasia Film Festival) review – a creatively ambitious temporal mind-twister by Sabastian Astley 10th August 2021
Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Pleasure (Sundance London) review – an unflinching exploration of the porn industry’s dark heart by Sabastian Astley 31st July 2021
Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Misha and the Wolves (Sundance London) review – Hobkinson dismantles the very genre he embraces by Sabastian Astley 31st July 2021
Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Human Factors (Sundance London) review – splinters the story into strands with little connection to one another by Sabastian Astley 30th July 2021
Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Zola (Sundance London) review – a story crazier on paper than it is on screen by Sabastian Astley 29th July 2021
Film and Arts Festivals·Film and Television·Film Reviews·Music and Dance·Music and Dance Reviews·UK Festivals The Sparks Brothers (Sundance London) review – a love letter to creativity, difference and artistic resolve by Sabastian Astley 28th July 2021
2 London City Ballet’s 2026 tour will see them perform at 17 venues across five countries in the UK, USA and Europe 29th April 2026
3 Michael (review) – mechanical storytelling and a sanitised portrayal so vacant of nuance or substance only leave one unsettled 29th April 2026
4 Brighton four-piece Lime Garden drop the new video for Cross My Heart from their studio album Maybe Not Tonight 28th April 2026
5 So Bad They’re Good (rewind review) – the terrifically terrible Troll (1986) and Tammy and the T-Rex (1994) 27th April 2026
Follow Us