‘Esto no es Berlín’
Hari Sama’s semi-autobiographical new film ‘This is Not Berlin’ buzzes with the vibrant and intoxicating energy of 1980’s counterculture. The freshly emerging punk and new wave scene of Mexico City sweeping two teenage friends into a newly emerging world of art, sex, risk and liberation. The boys friendship challenged and changed as identity, sexuality, music, drugs and art converge on the road to adulthood. The delicate yet urgent process of teenage self discovery, belonging and experimentation beautifully constructed. With Sama’s film fully understanding the complexity and risks of teenage personal development, societal change and rebellion.
Of course coming of age films exploring underground youth sub culture are nothing new. But what makes ‘This is Not Berlin’ shine among a sea of similar films is its tight and well structured portrait of teenage discovery. Set against a dramatically changing middle class Mexican society. The rising anger and need for expression among young people finding a voice in art and music. Their anger directed toward discrimination, old social constructs, a rising AIDS epidemic and the freedom to protest.
Carlos (Xabiani Ponce de Leon) and Gera (José Antonio Toledano) are classmates and close friends in Mexico City. Carlos living with his younger brother, and a mother who suffers with severe depression. While Gera enjoys a more stable home life with his punk band older sister and well to do parents. Gera himself earning money at school by “renting” his dad’s pornographic magazine collection; a collection his dad considers to be well hidden.
While holding a close friendship both boys characters differ, Gera is happy to go along to school fights. His outgoing personality keen to experiment in his limited ideas of what a teenage boy should be. While Carlos is thoughtful, deep and a whiz at mechanical engineering. His work bordering on art, his inner most thoughts kept hidden in sea of adolescent testosterone. His only real confidant his cool and supportive uncle Esteban.
When Gera’s older sister Rita (Ximena Romo), asks for Carlos’ help in fixing a keyboard for her punk band. Carlos agrees, and surprisingly to Rita salvages the broken instrument. As thanks, the band sneak the underage Carlos and Gera in to their next gig at the Azteca underground club.
The lively club is revelation to both boys. With its mix of sexual freedom, music and avant-garde art led by its enigmatic owner Nico (Mauro Sánchez Navarro). The club creates a freedom and expressionism neither boy has experienced before. Leading Gera to urgently try and get in for more, while Carlos remains more reserved, until Nico takes him under his wing. An act that opens the door to Carlos’ artistic potential, social liberation and hidden desires. His friendship with Gera falling into the shadows as art takes centre stage. Both boys lives separating as they explore their own identities in a new world of drugs, sex, risk and expressionism.
Sama beautifully captures the vulnerability of young people taking their first steps into a new, exciting, yet dangerous world. Performances holding on to the teenage confusion of entering new groups where personal identity needs to change in order to thrive and belong. While Alfredo Altamirano’s cinematography plays with light and colour in achieving a sense of growth for both boys. The bright daylight of teenage adventure and innocent rebellion, coupled with the vivid colour of artistic expression. All mixed with the darker tones of sex, drugs and club life. In a new world of social extremes where risk and developing individual confidence converge. While the films score ripples with the unconventional anger of 80’s punk and new wave, its beats and vocals challenging society in boisterous and rough way.
‘This is Not Berlin’ understands the global roots of the movement it depicts. While also demonstrating the important role of Mexicos avant-garde art movement in changing the landscape of 80’s Mexican youth culture. Creating a film that buzzes with the excitement and danger of youth, alongside the importance of artistic expression in challenging societies views.
Director: Hari Sama