Month: September 2019

The Dude in Me ‘내안의 그놈’ (Review) – Fun and frothy comedy but nothing new

Quick Read Review Body swap comedies have a long history in film, from Freaky Friday (1976) to 17 Again (2009). It is therefore a challenge to offer anything fresh in a genre housing dozens of films that have borrowed from one another over the years. The response to this challenge from South Korean director Hyo-jin …

The Last Black Man in San Francisco (Review) – An Ode to friendship, place and loss

There are few films in modern cinema that exude their brilliance within the first 10 minutes. But in a similar vein to Barry Jenkins ‘If Beale Street Could Talk‘. The Last Black Man in San Francisco grabs your heart and soul from the start. The vibrant cinematography dovetailing with a sublime score, its characters rich …

Tremors (Review) ‘Temblores’ – The Interface between faith and community in personal choice

In 2015 Guatemalan Director Jayro Bustamante received an Oscar nomination for his debut feature Ixcanul. While also winning the Alfred Bauer Prize at the 65th Berlin International Film Festival for the same feature. With his latest film Tremors (Temblores) Bustamante delves into the world of gay conversation therapy, family and faith in a polarised Guatemalan …

The Lodge (Review) – An icy blast of psychological horror

Spoiler Free In 2014 writer/directors Severin Fiala and Veronika Franz brought us one the finest horror films of the past decade with Goodnight Mommy. Now teaming up with screenwriter Sergio Casci they are back with a psychological horror that once again proves their place in the horror fall of fame. The Lodge wraps you its …

End of the Century (Review) – A fleeting connection that could have been love

‘Fin de siglo’ What if we had made different decisions as a result of the random meetings, and fleeting love affairs we have had? This is the question posed by writer-director Lucio Castro. His debut feature focusing on the power of chance encounters and the fear of commitment. The passion for personal freedom often wrapped …

Deerskin ‘Le daim’ (Review) – The jacket to end all jackets

Spoiler Free The power of filmmakers to laugh at that own craft is a precious and valuable thing. Especially when combined with stories that fly in the face of reality while played with deadpan sincerity. Quentin Dupieux‘ latest offering does just that with a killer black comedy about a Deerskin jacket, psychosis and a rural …